runway looks

Christian Dior shows never fail to impress me with their creative and bold makeup. And at the Couture 2011 show, they took things to a whole new level with 37 different beauty looks that feature color-blocking cat eyes, jewel-toned smoky eyes, bejeweled 3d eye makeup and lips that range from deep burgundy to lacquered tomato red. Can we just say loves?

Givenchy Spring 2010 Haute Couture

Wearing blue from head to toe can be tricky to pull off but Karl Lagerfeld and ChanelCreative Director of Makeup Peter Philips proved it otherwise at the Chanel Haute Couture Spring/Summer 2012 show.

Face
After prepping the skin with Hydra Beauty Serum Hydration Protection Radiance (available April 2012), Philips created a flawless base with Perfection Lumiere Long Wear Flawless Fluid Makeup SPF 10, Eclat Lumiere Highlighting Face Pen and Correcteur Perfection Long Lasting Concealer. He set it with Poudre Universelle Libre Natural Finish Loose Powder and added the lightest flush on the cheeks using Joues Contraste Powder Blush in Rose Ecrin.

Eyes
For the strong, slightly rock n roll eyes, Philips colored in the lids with Le Crayon Yeux Precision Eye Pencil in Bleu Aérien before blending Illusion D’Ombre Long Wear Luminous Eyeshadow in Apparition through the crease towards the temple and adding Destination on the brow bone and inner corners. Herimmed the eyes with Stylo Yeux Waterproof Long Lasting Eyeliner in Marine and Le Crayon Khol Intense Eye Pencil in Marine and finished the look by curling lashes with Recourbe Cils De Chanel Precision Eyelash Curler and coating them with Inimitable Waterproof Mascara in Black.

Lips
To balance out the strong eyes, Philips created a muted pink lip. He started out with Rouge Coco Baume Hydrating Conditioning Lip Balm before Le Crayon Levre Precision Lip Pencil in Natural and painting the lips with Rouge Coco Hydrating Crème Lip Colour in Superstition.

Nails
To go with the blue theme, a new polish, Le Vernis Nail Colour in Sky Line was used.



The products used above will be available in an upcoming exclusive collection, Bleu Illusion, for sale in July 2012.

Inspired by Moctezuma the Aztec emperor along with Avatar’s tribal-eco message, theJean Paul Gaultier Spring 2010 Haute Couture collection is full of colors, huge hats, braids, leaves and even feather. While I can’t picture anyone actually wearing the over-the-top collection, the colorful, tribal makeup is definitely something that I like (and they used my favorite MAC pigments to create this look too!)

When it comes to holiday makeup, nothing says glam better than silver. So take a cue from the gorgeous silver eye looks spotted on the Spring 2012 runways on how you can rock the color this season!

At 3.1 Phillip Lim, models were given a “geometry mixed with light and air” with a metallic silver graphic line drawn along the crease, courtesy to a wet application of NARS Single Eyeshadow in Night Life and the slate gray side of NARS Paris Duo Eyeshadow. Add a touch of NARS Multiple in Copacabana along the cheekbones for a truly ethereal look.



Feeling crafty? Slice some silver sequins into half and place them below and above each lash line, just like the look created by Pat McGrath at Givenchy.

Alternatively, try the “graphic metallic element” Chanel Creative Director Peter Philips created at Fendi by pairing a thick black cat-eye with pieces of silver reflective sheets glued all the way up past the brow bone.

Either way, remember to pair your silver peepers with clean skin and a touch of pink blush and muted lips.

Working for MAC Cosmetics, Lucia Pieroni created “caramel, honey-toned” makeup at the Chloe Spring/Summer 2012 show.

Face
• Face & Body Foundation – applied over the entire face as a sheer veil for a natural finish to skin.
• Fusion Gold Metal X Cream Shadow (available Spring/Summer 2012) – blended over the temples, upper cheekbones, bridge of nose and Cupid’s bow with fingers for a sheer, glowing highlight.
• Medium Deep Mineralize Skinfinish Natural Foundation – lightly buffed over cheeks.

Eyes
• Groundwork (for blondes) and Constructivist (for brunettes) Paint Pot – used to create a shadow around eyes, intensified through the lashline and blended outwards to disappear into skin.
• Brownette (for blondes) and Plushblack (for brunettes) Plush Lash Mascara – lightly defines both upper and lower lashes.

Lips
• Fresh Brew, Myth, and MAC Store/Pro Patisserie Lipstick – mixed together and blended over lips for a healthy, nude lip.

With “vampy 1920′s flapper style” in mind, MAC Cosmetics artist Fatima Thomas gave models a silver eye with purple lashes and fuchsia-red lipstick at Erickson Beamon A/W 2012.

Face
* Prep + PrimE Beauty Balm SPF 35 — blended over skin to create a smooth canvas
* Mineralize Concealer — blended into skin for foundation
* Mineralize Skinfinish Natural — dusted over skin to slightly matte
* Pearl Cream Colour Base — blended over cheekbones to highlight
* Coffee Walnut Pro Sculpting Cream (available Autumn/Winter 2012) — blended under cheekbones for a contour
* Frankly Scarlet Powder Blush — a hint dusted on the middle apples of cheeks

Eyes
* Coffee Walnut Pro Sculpting Cream (available Autumn/Winter 2012) — applied over eyelids as a base
* MAC Pro Black Black Paint Stick — blended in a round shape over eyes
* Carbon Eye shadow — applied over the Black Black Paint Stick to emphasize the intensity while blending outwards for an extremely diffused effect
* MAC Pro Silver pigment (for pale/medium skintones) and Blue Brown pigment (for deeper skintones) Pigments — highlights the centre of the eyelid
* False Lashes Extreme Black — generously applied to upper and lower lashes
* Violet Pigment — applied to the tips of Lash 3 and applied to the upper lashline, providing a violet highlight to the lashes

Lips
* MAC Red Lips tick and Fuchsia M·A·C Pro Lipmix — blended together and applied over lips with a perfect and natural shape 

At the Haider Ackermann Spring/Summer 2012 show in Paris, makeup artist Stephane Marais used MAC Cosmetics to create glossy, “poetic”, taupe eyes while Eugene Souleiman from Wella Professionals gave models “rebellious” hair.

Makeup


Face
• Face & Body Foundation – lightly applied over hydrated skin to even skintone and perfect.
• MAC Pro Tint Cream Colour Base – blended under cheekbones to sculpt.

Eyes
• Coffee Eye Pencil – applied through both the upper and lower lashline to make lashes appear thicker at their root.
• MAC Pro Concrete and Shale Eye Shadow (taupe-toned eyes) – mixed together to create a customized taupe for eyes, blended around the eyes to emphasize the crease and lower lashline.
• Mulch Eye Shadow (sepia-toned eyes) – layered and blended over coffee pencil to create sepia-toned eyes, emphasizing the crease and lower lashline.
• MAC Pro Medium Blot Powder/Loose – applied under eyebrows and eyes for a matte effect.
• MAC Pro Shine Mixing Medium – applied over eyelids for a shiny, glossy finish to eyes.

Lips
• Lip Conditioner SPF 15 – hydrates and perfects lips with a natural finish.

Hair
“This is a chic, dishevelled, boyish look. I was thinking about the style of a young aristocratic boy who parties a little too hard, and wanted to transfer this look to a beautiful young woman to create a slightly androgynous hairstyle. The key to this style is an illusion of short hair, with a textured ‘foppish’ top. I love the idea of imperfection and wanted the hair to look as if the girl had been partying all night and the roots of her hair were a little unwashed and sweaty, in contrast to the perfectly sleek underneath section. This hair look is all about looking cool with an attitude, it’s tough, contemporary and full of character; rather like the Haider Ackermann woman”, says Eugene.



Step 1. This look is focused on creating a ‘day old’ hair but with a freshly washed base, so always start with freshly washed and conditioned hair. Use Wella Professionals Enrich Shampoo and Conditioner.

Step 2. Roughly dry the hair, keeping it as flat as possible, if hair is very textured, use Wella Professionals Velvet Amplifier as a base styling product to smooth out the hair surface and act a as primer for the subsequent styling products.

Step 3. To create the illusion of short hair, you first need to take the underneath hair away, to create a flat and shiny base. Clip the top section of hair out of the way, and start to make a very flat chignon, taking the hair section by section and spraying the roots with Wella Professionals Stay Essential Finishing Spray until they are saturated. Brush this through the hair with a small soft bristle brush; hold the section tight as you go to create tension. Repeat this process, ensuring that each section is sprayed wet as you go (once the hair spray dries it will slightly ‘shrink’ which helps to pull the hair even tighter).

Step 4. When you have all the hair contained in one section, create a chignon by squashing the hair and rolling it back on itself and then pinning the hair into place, but ensure that the top ‘tail’ of the chignon remains free as this will form part of the top look. The chignon must be as flat to the head as possible.

Step 5. Release the top section of hair and tease towards the front of the head, clipping into place as you go. Spray Wella Professionals Create Character Texturizing Spray in to the roots and rub it` in with finger tips to loosen the hairstyle and to create a different texture.

Step 6.Fold the front piece of hair back on itself and pin down roughly, spritz liberally with Wella Professionals Ocean Spritz Beach Texture Spray to create a slightly rougher texture to the hair and give it some ‘bite’.

Step 7.Using a hairdryer with a diffuser attachment, apply heat lightly over the entire head to set the style in place.

Step 8.Finally, pick out end sections from the top and use straightening irons to clamp the ends to create separation and give a ‘piecey’ finish.

For Salvatore Ferragamo A/W 2012, Tom Pecheux working for MAC Cosmeticscreated “strict yet feminine office women” with a Russian military vibe.

Face
* Studio Sculpt SPF 15 Foundation – blended over hydrated skin to perfect.
* MAC Pro Invisible Set Powder – swept over skin to set and polish.
* Mauveless Pro Longwear Eye Shadow (available Autumn/Winter 2012) – blended under cheekbones and through temples to contour.

Eyes
* Print Eye Shadow – lightly shaded through the inner eye area from eyelid to brow with a soft brush, then diffused towards the middle of the eye.
* Mauveless Pro Longwear Eye Shadow (available Autumn/Winter 2012) – lightly shaded through the centre and outer eye area, and diffused upwards to the brow, enhancing the natural shape of the eye.
* False Black Mascara – defines the upper lashes.

Lips
* Mineralize Concealer – patted over lips to conceal.
* Mauveless Pro Longwear Eye Shadow (available Autumn/Winter 2012) and MAC Pro Invisible Set Powder – dusted over lips for a sheer, burgundy veil of colour.

With China’s Ming Dynasty, Forties Hollywood glamour and Chinese military uniforms in mind, Diane Kendal working for MAC Cosmetics created “warriors, strong women”atJason Wu A/W 2012.

Face
* Prep + Prime Moisture Infusion — hydrates and prepares skin
* Matchmaster Foundation SPF 15 — lightly blended over skin to perfect
* Studio Finish SPF 15 Concealer — applied only where needed
* Pro Sculpt Sculpt ing Powder Pro Palett e blended with Cubic Powder Blush — contours the cheek
* Pink Swoon Sheertone Powder Blush — highlights apple of cheek

Eyes
* MAC Pro Marine Ultra and Landscape Green Chromagraphic Pencils — blended together and smudged into the upper lashline and upwards into the crease
* Minted Eye Kohl — blended into the crease for a highlighting effect
* MAC Pro Kelly Green Pigment and Club Eye shadow — blended over the shape to add texture and dimension to the eye
* Blooz Eye Kohl — sketched into the lashline to extend the eye
* Black Crème Liner — delicately applied to deepen lashes and accentuate the lashline
* Haute & Naughty Black Mascara — applied through the upper lashes

Lips
* Lip Conditioner SPF 15 — hydrates and provides the lip with a natural shine

At The Blonds Fall A/W 2012, makeup artist Kabuki working for MAC Cosmetics gave models “tough, hard-edged glamour” with winged out cat eyes in green and gold paired with red lips. So bold and fierce!

Face
* Studio Sculpt SPF 15 Foundation — blended over hydrated skin to perfect
* MAC Pro Sculpt Sculpting Powder Pro Palette — blended under cheekbones to contour
* Well Dressed Powder Blush — swept above contour for a bit of colour
* Vanilla Pigment — swept over high planes to highlight

Eyes
* Smolder Eye Kohl — applied to create cat-eye shape around eyes
* Pure Show Superslick Eye Liner — applied snug to the waterline of lower lashes
* Carbon Eye Shadow — blended over Smolder to set and diffuse through the upper eyelid, crease and also through lower lid and lashes
* Club Eye Shadow — applied over the centre of the eyelid, as well as both inner and outer corners of eyes
* 7 Lash — one full band applied through the upper lashes, with the addition of a second pair’s trimmed inner corner, placed on the outer corners of eyes
* Opulash Optimum Black Mascara — applied through both upper and lower lashes to define

Lips
* Burgundy Lip Pencil — defines and contours the lip
* Redd Lip Pencil — blended through the centre of the lip into Burgundy Lip Pencil

Inspired by Nicki Minaj, the look at Betsey Johnson Spring 2012 show was all about a glamor with a bright lip, big waves and blinged out nails.

Makeup
Sarah Lucero for Stila Cosmetics created a glamorous face for real women with a dramatic cat eye and hot pink lips. She evened out the skin with Stila Perfect & Correct Foundation, Stila Brighten and Correct Concealer and Stila Sheer Pressed Powder. Then, she prepped the eyelid with Stila Prime Pot and added Sandstone Eyeshadow from Stila In The Light Palette. She lined the upper lashline with Stila Smudge Pot Gel Eyeliner in Black and winged it out for a cat eye look before adding metallic silver liner along the bottom lashline. To finish the look, she contoured the cheeks with Stila Sun Bronzing Powder and gave the lips a “gutsy” look with Stila Long Wear Liquid Lip in Petal topped with Stila Dazzling Sparkle Luxe Lipgloss.

Hair
The sexy side-swept ‘do was the work of
hairstylist Peter Gray for Cutler/Redken.

Step 1. Apply Redken Rootful 06 Root Lifting Spray all over at the root.

Step 2. Divide the hair in a diagonal part from front left to back right.

Step 3. Take hair under left part and sweep it around for a tight ponytail on the lower right nape of the neck.

Step 4. Gather hair on the right side of the part. Pin curl section by section and let set. Spray vigorously with Redken Fashion Work 12 Versatile Working Spray on the top and inside each of the curls to lock into place.

Step 5. Once hair has dried, take the clips out and brush through to create dramatic waves.

Step 6. Spray Cutler Shine Tattoo to add glossy finish.



Nails
Founding Creative Director Nonie Creme of butter LONDON created an uber cool nail look at the Betsey Johnson show.

“We did a reverse half moon manicure, with a “stair step” (meaning the false nail sits slightly higher than the nail plate – creating that extra “pop” for the catwalk) holographic glitter tip, in a pointed almond shape. For the glitter tip, we used Diamond Geezer and a holographic shade that was custom mixed for Betsey, and added a diamond stone to the curved base of each tip. Union Jack Black was used on the actual nail – creating the reverse half-moon that almost had a “bruised” effect. Always wanting one more “wow” factor for Betsey, we added a nail piercing with black baby safety pin. Rock and roll, fun, sex, glamour!”

For the fifth consecutive season, Estée Lauder Creative Makeup Director Tom Pecheux worked with famed manicurist Jin Soon Choi for the beauty look at Derek Lam A/W 2012. And this time, it is about invisible matte skin with subtly defined cheeks, pink-beige tinted lips and a sexy cat eye in a smoky-burgundy shade.

“The French have a saying for this look, ‘Un peu décalé,’ inspired by a woman who has a unique way about her. Unexpected. Intriguing. Different from all the rest. She is youthful and innocent, yet far from immature.” – Tom Pecheux, Estée Lauder Creative Makeup Director.




Face
* Invisible Fluid Makeup (launching March 2012)
* Double Wear Stay-in-Place Flawless Wear Concealer SPF 10
* Lucidity Translucent Loose Powder

Skin
* Advanced Night Repair Synchronized Recovery Complex
* DayWear Advanced Multi-Protection Anti-Oxidant Creme SPF 15

Eyes
* Pure Color EyeShadow Palette in Black #5 and Burgundy Bronze #3 (launching August 2012)
* Pure Color EyeShadow in Sugar Cube
* Sumptuous Two Tone Eye-Opening Mascara in Bold Black/ Rich Brown (launching April 2012, pre-sale available NOW on EstéeLauder.com)

Cheeks
* Pure Color Blush in Brazen Bronze (launching March 2012)
* Pure Color Blush in Alluring Rose – to contour (launching March 2012)

Lips
* Pure Color Crystal Lipstick in Crystal Pink
* Pure Color Long Lasting Lipstick in Vanilla Truffle (available in select International markets)

Nails
* Pure Color Nail Lacquer in Nude Attitude (available in select International markets)

Makeup: Tom Pecheux for Estée Lauder
Nails: Jin Soon Choi for Estée Lauder
Photos: Courtesy of Estée Lauder 

Working for MAC Cosmetics, makeup artist Charlotte Tilbury created two rock-inspired smudgy glittery eye looks and a natural hippy look for the DSquared2 Spring/Summer 2012 show at Milan. Which one is your favorite?

Look #1: Glam Rock

Face
• C5 Face & Body Foundation – applied with fingers to warm up skin.
• Pro Longwear Concealer – applied only where needed to perfect.
• MAC Pro Sculpt Sculpting Powder Pro Palette – blended under cheekbones for a warm contour.
Hodgepodge Lip Pencil – used to create freckles.

Eyes
• MAC Pro Black Black Chromagraphic Pencil – applied all around the eyes, and then smudged outwards with fingertips.
• Venetian Tarnish Metal X Cream Shadow (available Spring/Summer 2012) – blended over the entire eyelid up to the brow, and smudged under the eyes.
• MAC Pro Gold Glitter – pressed into Venetian Tarnish Metal X Cream Shadow.
• False Lashes Mascara – defines lashes.

Lip
• Cup of Joe Cream Eye Shadow, Trend Palette (available Spring/Summer 2012) – pressed onto lips with fingers.

Look #2: Rock





Face
• C5 Face & Body Foundation – applied with fingers to warm up skin.
• Pro Longwear Concealer – applied only where needed to perfect.
• MAC Pro Sculpt Sculpting Powder Pro Palette – blended under cheekbones for a warm contour.

Eyes
• MAC Pro Black Black Chromagraphic Pencil – applied all around the eyes, and then smudged outwards with fingertips.
• Blooz Kohl Pencil blended with Shine Mixing Medium – blended over the entire eyelid.
• MAC Pro Gloss Texture – applied over Blooz Kohl Pencil blended with Shine Mixing Medium for a glossy finish.
• False Lashes Mascara – defines lashes.

Lip
• Cup of Joe Cream Eye Shadow, Trend Palette (available Spring/Summer 2012) – pressed onto lips with fingers

Look #3: Hippy



Face
• C5 Face & Body Foundation – applied with fingers to warm up skin
• Pro Longwear Concealer – applied only where needed to perfect.
• MAC Pro Sculpt Sculpting Powder Pro Palette – blended under cheekbones for a warm contour.
• Hodgepodge Lip Pencil – used to create freckles.

Eyes
• MAC Pro Dark Brown Cream Colour Base – applied over the eyelid and under eye with fingers.
• Lofty Brown Zoom Lash Mascara – defines lashes.
• Lingering Eye Brows – applied through brows to perfect.

Lip
• Cup of Joe Cream Eye Shadow, Trend Palette (available Spring/Summer 2012) – pressed onto lips with fingers.

For a modern approach on the 60s look, makeup artist Pat McGrath gave models hot pink feather lashes (that reminded me of my Make Up For Ever Hot Pink Feather Lashes) with a matching pout at the Viktor & Rolf Spring/Summer 2012 show in Paris. Are we liking the pink overload?

Translucent skin with lightly bronzed contoured cheeks, a sheer golden lip, shimmering eyes with muted yellow shadow and neutral nails ruled the runway of Derek Lam Spring 2012 show.

Face
• Advanced Night Repair Synchronized Recovery Complex
• Idealist Even Skintone Illuminator
• DayWear Advanced Multi-Protection Anti-Oxidant Creme SPF 15
• New foundation tested backstage (launching March 2012)
• Double Wear Concealer Stay-in-Place Flawless Wear Concealer SPF 10
• Lucidity Translucent Loose Powder
• Pure Color Blush tested backstage (launching February 2012)

Eyes
• Pure Color EyeShadow Palette in Yellow shade (#5) used (launching January 2012)
• Pure Color Gelée Powder EyeShadow in Cyber Copper (launching November 2011)
• Pure Color Gelée Powder EyeShadow in Cyber Green (launching November 2011)
• Pure Color Intense Kajal EyeLiner in Blackened Olive (launching November 2011)
• Sumptuous Extreme Mascara in Extreme Copper

Lips
• Pure Color Gloss in Citron Kiss (launching January 2012)

Nails
• Pure Color Nail Lacquer in Nude Attitude (available in select International markets)




Makeup: Tom Pecheux for Estée Lauder
Nails: Jin Soon Choi for Estée Lauder
Photos: Courtesy of Estée Lauder 

With “80s Madonna, lingerie, lace” and a “gypsy feeling” in mind, Lisa Butler created a gorgeous smudgy eye with metallic shades of gold and black using MAC Cosmetics.

Face
• Face & Body Foundation – lightly applied to even skintone.
• Select Moisturecover – applied where needed to perfect.

Eyes
• Smolder Eye Kohl – applied through the upper lashline, waterline and lower lashline, with extra depth at the inner and outer corner of eyes.
• Blitz and Glitz Fluidline – smudged through Smolder Eye Kohl around lashes.
• Venetian Tarnish Metal X Cream Shadow – applied over the upper and lower eyelids with fingers, being sure to not over blend.
• Zoomblack Zoom Lash Mascara – applied through both upper and lower lashes to define.
• Hush Hush Tendertone Lip Balm (available Spring/Summer 2012) – dabbed over eyelids during line-up at first looks.
• Brows are left natural.

Lip
• Hush Hush Tendertone Lip Balm (available Spring/Summer 2012) – blended over lips for a subtle nude with shine.

Beauty guru Pat McGrath brought back the dark eye and bleached brows at the Gucci Spring 2012 show at Milan Fashion Week.

To create such strong, “rebellious” eyes, Pat colored in models eyelids with CoverGirl Liquiline Blast and CoverGirl Smoky Shadow Blast in Onyx Smoke and finished the look with a new mascara, CoverGirl LashBlast 24 Hour Mascara, due this coming January. 

Over the summer, Emma Watson showed us the beauty of a dramatic smoky cat eye with gold foil. Then makeup artist Peter Philips took the look to a new level by applying silver and gold foil from the lashline all the way up to the brows at the Fendi Spring 2012show at Milan Fashion Week.

To create such dramatic eyes, Philips created a slight wing along the upper lashlines withChanel Stylo Yeux Waterproof Long Lasting Eyeliner and coated lashes with Chanel Inimitable Mascara. The rest of the face was left bare with Chanel Blush in Rose Écrin on the cheeks and Chanel Pro Lumière Foundation on the lips. Finally, he finished the look by gluing on pieces of silver and gold foil onto models eyes using an adhesive gel.

Working for MAC Cosmetics, Charlotte Tilbury created “a handsome Linda Evangelista” with full brows, a red eye and dewy skin at Donna Karan A/W 2012.

Face
* Complete Comfort Crème – hydrates and rejuvenates skin
* Studio Finish SPF 15 Concealer – lightly blended into skin with 190 Foundation Brush to perfect
* Pure Sculpture Pro Sculpting Cream (available Autumn/Winter 2012) – used with 168 Large Angled Contour Brush to create a contour through the low planes of the face
* Pearl Cream Colour Base – patted over cheekbones to highlight

Eyes
* Diva and Party Line Lips ticks – mixed together and applied to eyelids with 242 Shader Brush and then blended through the crease with a 266 Small Angle Brush
* Fling and Lingering Eye Brows – blended through the brows to create fullness

Lips
* Pearl Cream Colour Base – patted over lips for a soft highlight

At Vivienne Westwood Red Label Spring 2012, makeup artist Alex Box working forMAC Cosmetics added a pop of color to create “neo neon nymphs” with an “ethereal base, amazing and bruised colors and airbrush”.

Face
• Studio Sculpt SPF 15 Foundation – applied to create a perfect, full coverage to skin.
• MAC Pro Sculpt and Bone Beige Sculpting Powders – blended together and applied over low planes to contour.
• Well Dressed Powder Blush, MAC Pro Azalea and MAC Pro Salsarose Powder Blushes – blended together to create a vivid contour through the temples and over cheekbones.
• MAC Pro Emphasize Shaping Powder, MAC Pro Gold Reflects Glitter, and Vanilla Pigment – blended together to highlight the high planes of the face.

Eyes
• MAC Pro Hi-Def Cyan Paint Stick and Electric Eel Eye Shadow – blended over the eyelid as a base.
• Bitter, Juxt, and MAC Pro Lime Eye Shadows – blended over base in a halo effect.
• MAC Pro Hi-Def Chromaline – applied as a liner through both upper and lower lashes.
• 43 Lash – painted with MAC Pro Chromaline in Hi-Def and applied to upper lashes.

Lips
• Woo Me Kissable Lipcolour (available Spring 2012) – blended over the entire lip.